The Exposure Triangle: Basic Photography

Posted by on Aug 29, 2015 in Blog, Tutorials

The Exposure Triangle Basic Photography Today, getting started in the field of digital photography can appear overwhelming. Our digital SLRs have menu choices, dials, and more buttons than any individual can fairly be anticipated to keep an eye on.

Do not be deceived. Photography today is equally as straightforward as it was 50 years past; perhaps even more straightforward if we brush aside the language and sales gimmicks.

There are actually only three things which you must learn to understand photography. When you understand the way in which they connect to every other, as well as these three fundamental components, you will just be restricted by your own imagination and urge to practice. These matters are:

ISO/ Film Speed


Shutter Speed

That is it. Everything else falls into place, when you understand how these matters change your pictures as well as the way in which they connect to every other. Your picture changes in two ways: one is creative, and one is physical.


People who used to purchase film will remember that you had a selection of different kinds. In many shops, you and you can purchase 100, 200 and 400 speed films and many more, respectively than that. These amounts are the film’s ISO rating, occasionally known as the film speed (or before the 1990s, it was known as the ASA). With picture, the more complex the amount (eg, 400, 800, 1600), the more sensitive the film was to light, so it may be utilized in darker surroundings.

Why would not people just shoot ISO 1600 film all the time? Sadly, higher speed film was also grainy and had flatter colours. Strangely enough, ISO is nearly the exact same in digital cameras. To improve the sensitivity of the detector, it charges with more electricity, and modern cameras can usually be shoved higher or all the way up to ISO 6400. This provides them the power to shoot pictures in quite low light, but sadly, all of that additional charge in the detector creates heat and instability, which make a number of the detector’s receptors fire when they are not supposed to… or they fire at higher amounts than they need to. The end result is an extremely grainy looking picture, generally with incorrect or dull colours as well as lower detail resolution. This occurrence is called “digital sound”.

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Camera Basics 101

Posted by on Oct 29, 2014 in Beginner's Guide, Blog


What’s a Camera?

So what’s a camera? It is a tool. No different when compared to a wood carver’s chisel. The chisels don’t make art that is delicately crafted, the wood carvers does. It’s the same manner by means of your camera. The cam doesn’t make the photo, you do. So never permit yourself to feel such as the camera is in control.

Broken down on its fundamental components, the camera is like a box that controls the quantity of light that reach a part of alternative surface indoors or light sensitive films. The first cameras didn’t had a glass lens. The very first camera used a miniature hole in a very front of the carton to focus the picture on the viewing surfaces and to let in light.

This is actually the same principles to be able to see a solar eclipse that is projected via the pinhole and unto the earth, as when kids perforate at a pinhole into a sheet of paper.

Now’s cameras use glass lense to get and to focus light far very quickly and to enable us on magnifying pictures. Film is significantly very sensitive and elegantly detailed than the firsts film surface and now we also have digital detector that occasionally take the position of film. It’s still merely like box that controls the quantity of light that reach a part of film, although the camera has come a ways from its modest beginnings.

Types of Cameras

1. P&S or Point and Shoot

Point and Shoot

The camera does the job for you. So the results might be iffy, regrettably, the camera is rarely bright as the photographer. P and S cameras in many cases are abbreviated as . P&S It was essentially a box using a shutter . The Point & Shoot cameras are considerably of now more complex.


• Metering system

• Variable Shutter Speed

• Variable Aperture

• Zoom lense

• Automatic focus

Preset control for assorted photographic scenarios like:

• Landscapes

• Night

• People

• Close up and macro

What this means is that what you see through your view finder might not be the one you shoot on digital or film media. Point & Shoot cameras are typically modest and fit into a pocket s or bag. They’re used for casual pictures taking where getting the memory is significant than making a marketable image.

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How to Care For your Photographic Lens

Posted by on Apr 29, 2013 in Blog, Tips


LensWhether it is permanently affixed to your cam or interchangeable ,your camera lens is crucial to making quality pictures. If it’s not clean, or damaged, your pictures will lose quality. But how do you take appropriate care of a photographic lens?

 Four types of external damage sources 

• Dirt

• Scratch

• Shock

• Water


Dirt in camera stick to digital detectors, get on film, and can affect moving electronic contact point and clogs. The most effective plan of action on coping with dirt in the camera is always to prevent it. A dirt difficulty will not be caused by a large proportion of shooting scenarios on camera. Nonetheless, some scenarios are recipe for issues. Deserts shores, horse race, motocross, swamp, and other places is prone to dirt and more dusty than regular use. To be able to safeguard your camera it’s best to use rain hoods for your camera. You make it your own using a sizable zip tote or can buy these at your favorite camera shop. You’ll need to carefully fasten the bag to the camera lens using a rubber bands or tape. Make sure to use a big enough bag if you’re using an SLR type cameras, to allow for lens move.

Another times that dirt get into a camera is during picture loading and lens changes. If you’re not cautious loading picture or when changing lense lots of airborne dusts/dirt may enter the camera body. To minimize dust during lens changes press on up the lens to the camera and turn the camera. Keep the camera be horizontal instead of leaning it forwards, when shifting picture.


There isn’t any great solution to fix them yourself. The best thing you could do is prevent scratch. The simplest thing you can certainly do to safeguard your lens against scratches would be to use a filter. The initial intention of filters was to alter the appearance of an image. Nonetheless, a lot of folks make use of a UV filter or a polarizing filter as protection for their lenses. These filters have effects that are normally light and are useful for general photography. Bear in mind that you’re setting a comparatively affordable piece of glass on a fairly high-priced piece of glass. Use premium quality filters to avoid endangering your lens quality.

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Photography Composition

Posted by on Jan 17, 2012 in Blog, Tutorials



Balance is among the main aspects of composition yet is also the most difficult as we see it, though we generally understand it. The subject of compositional balance isn’t exceptional to photography; other artists and painters have been writing about the topic for hundreds of years, yet there continues to be no conventional method though there are a few great guidelines and strategies that will help you attain balance in your pictures.

Such a balance is not difficult for the photographer to compose and for the audience to comprehend, plus it could be utilized to make an extremely strong effect. And maybe more to the point, is that symmetrical compositions for that reason can get tedious rather fast, and are extremely easy and foreseeable.

Consider the simplified picture in the example below:

Balance Example


In this picture, there are just two primary components: the big, black mountains in the top left, as well as the white blossom in the lower left. Within the limits of my artistry that was rough, this picture is balanced. Why? The mountain is quite a bit bigger in relation to the bloom, they are not contours that are similar, there is no symmetry.

The answer is dependent on the psychology of the onlooker in relation to the unique contours and forms. When an image is mainly dim, our eye is brought to items and places which are glowing. For the reason, the (comparatively modest) blooms in this picture have considerably more “visual weight” than the bigger, dimmer mountains.

For many people, the balance could be more easy to see when the picture is out of balance. Imagine the “photographer” had taken several steps to the right and shot the picture with the blossoms on the left. As it is possible to view, the right part of the picture appears a bit superfluous and empty. Actually, it almost appears the left side of the picture would work together with the remaining portion of the framework cut off, as a square picture.

Bright regions aren’t the sole components that take extra weight. The truth is, there are too many details to list, and they are able to be dependent on an emotional reaction from the audience just as readily as variables that are formal. A partial list might provide you with an excellent starting point :

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